Monthly Archives: July 2015

Trio Lescano, Tulipan (story of Italian vulgar music trio, Dutch Jewesses who fled to Italy in 1935 )


Quoted from Gregorio Nardi’s paper on the Orel Foundation  http://orelfoundation.org/index.php/journal/journalArticle/the_147aryanization148_of_italian_musical_life/

“One sad story has to do with popular music, and specifically with the most famous vocal group in twentieth–century Italy: the Trio Lescano, made up of three Dutch sisters (Lescano was an Italianization of the original Dutch surname, Leschan) who had arrived in Italy in 1935 and had quickly achieved extraordinary success. Their 78 r.p.m. record of the song “Tulip” sold 350,000 copies. Although they never joined the Fascist Party, they were chosen to launch the first experimental television broadcasts in 1939, and in 1941 they obtained Italian citizenship.”

“But their Jewish origins meant that all of their programs were cancelled shortly thereafter. They were arrested in November 1943, accused of spying and imprisoned in Genoa. The ridiculous accusation was that their rhythmic songs — a witty combination of swing and jazz — contained hidden, coded messages for the enemy. While they were in prison, and because they spoke German, they were forced by the SS to be interpreters during the interrogations and torturing of captured partisans. When the war ended, they were unable to gain back the popularity they had previously known, and they quickly disappeared from the entertainment scene.

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Cave-birth, Susiya Hebron. ES/EN (Hebron, Palestina, cave, poema Federico García Lorca)


Video showing the Palestinian hebronite, Nasser Nawaja, taking his son to see the cave where his mother gave birth to him in the ancient Hebron city of Sushiya. (click on CC, close captioning for English)

(Here an article in the New York Times about the Israeli court ruling to demolish the Palestinian village outside Sushiya, where the old city’s former inhabitants live: http://www.nytimes.com/2015/07/23/opinion/israel-dont-level-my-village.html?partner=rssnyt&emc=rss&_r=2)

poema Cueva, del Poema del Cante Jondo por Federico García Lorca
poem “Cave” by Federico García Lorca, with English translation by Arturo Desimone.

CUEVA

De la cueva salen

largos sollozos.

(Lo cárdeno

sobre lo rojo.)

El gitano evoca

países remotos.

(Torres altas y hombres

misteriosos.)

En la voz entrecortada

van sus ojos.

(Lo negro

sobre lo rojo.)

Y la cueva encalada

tiembla en el oro.

(Lo blanco

sobre lo rojo.)

CAVE

Out from cave-mouth

taper the lengths of scream.

(The opal laid out upon

the red. )

with every howl deep-sung, the gitano evokes

distant countries.

(High towers, and men of hidden ways.)

Into the broken seams of his voice

his eyes down-ray themselves.

(the black,

laid out upon vermilion.)

And the lime-washed, bleached cave

now dost tremble into gold!

(the white

laid out upon the red.)

Informative:

Español (English below)

Este video demuestra un árabe de Hebron, el señor Nawaja, en los territorios palestinos, guiando a su hijo por las ruinas antiguas de la ciudad de Susiya.

Aquí el padre regresa a la cueva donde su madre le dio nacer, esta vez para mostrar la cueva de nacimiento a su hijo.

Esto trae a memoria las casas construidas en cuevas por el pueblo gitano en el sur de España, como en otras partes del mediterráneo donde el fenómeno del troglodita (o sea, el costumbre de construir casas dentro de cuevas y habitar los) se practicaba hacia recientemente, o hasta se sigue practicando ( como en el sur de Francia, donde ya no se hace, en Pays D’Oc, y probablemente lo hacen aún en la región sureña del sur de Italia)

Este fenómeno, muy autóctona al mediterráneo, de los ritos de los cultos al misterio es una tema cual fascino muchos poetas, también el poeta y dramaturgo Federico García Lorca. Aquí he puesto su poema Cueva, junto a una traducción en inglés mía.

Susiya es donde vivían generaciones de su familia antes del destierro en los años 1970 por el ejército israelí, cual les obligó de abandonar el sitio de ruinas. Los torres y construcciones de Susiya se construyeron en la antigüedad, posiblemente por los tribus hebreos de Hebron (quienes, muy probablemente, figuraron entre los ancestros de los tribus palestinos de Hebron. Según el historiador israelí Shlomo Sand y historiadores a quienes el refiere en sus obras, los palestinos tienen mas probabilidad de tener descendencia genética de los antiguos hebreos y de otros pueblos quienes pasaron por Palestina o quienes invadieron la pequeña región, algunos hasta hablan de antepasados de los ejércitos de cruzados medievales quienes se pelearon hasta su derrota con el ejercito de Salahadinne.).

Los palestinos de Susiya tuvieron que habitar en campos en las afueras de lo que se denominó sitio arqueológico preservado por autoridades israelíes. Hoy en día los lugareños árabes de las afueras de Susiya viven otra vez bajo la amenaza de destierro, por ejército, por un juez israelí y por israelíes del movimiento religioso-militante de los colonos ”settlers” quienes intentan de conquistar nuevas partes de los territorios ocupados, viviendo afuera del existente Israel para evadir la ley y atacar a palestinos.

(in English)

This is a film footage on the information page of “Jewish Voice for Peace” about Nasser Nawaja, a Palestinian from Hebron, who returns to the cave where his mother gave birth to him, this time bringing his six year old son along to guide him through the ruins.

The film brought to mind the dwelling-caves that exist, for example, in Andalucía in the South of Spain where gitano, Spanish gypsy families lived, as they do in other parts of the mediterranean. The poet Federico García Lorca was fascinated by the caves of his home-city of Granada, of the many poems he devoted to the gypsies here is Cueva, Cave, from Poema del Cante Jondo, Poem of the Deep Song, my translation of this poem into English below.

The Arab inhabitants of the area of Susiya, since they were expelled by the Israeli army in the 1970s have inhabited encampments at the outskirts of the ruins. Today, perhaps unsurprisingly, they are being threatened with yet another eviction by a senile judge and by the violence of settler activists who are accompanied always by the army as their villages on the outskirts of their former home, Khirbet Sushiya, is threatened with demolition. For more information see this articlehttp://www.tomdispatch.com/post/176009/tomgram%3A_jen_marlowe,_%22they_demolish_and_we_rebuild%22/  (The US government, the actual cornerstone and mother of the Israeli occupation of the West Bank and Gaza, recently stated that Israel must not demolish the village in the occupied territories. Even if there is less activist momentum regarding the case of Susiya, I thought the film of the father and son in the cave of birth to be extraordinary, and it brings to mind how cultures consist of transferred and enacted myths, enacted dreams, such as a woman giving birth inside a cave.)

(Cueva, Cave by Federico García Lorca, from Poema del Cante Jondo, Poem of the Deep Song,

translation to English by Arturo Desimone summer 2015.

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Theoretical Notes on Democracy and Terrorism


Notes on Democracy and Terrorism

(I am re-publishing these notes as they give the theoretical framework to argue why, for example, the Euro-group response to the Greek Syriza’s victory this year have much in common with the recent attacks in Turkey and Tunisia by right wing Islamist groups in terms of their objectives, and shared doctrines as to the public sphere.-Arturo)

The terrorist act is not as it is commonly presented, a mere manifestation of hatred by a purely anti-democratic movement or society towards the democratic and ‘secular’, modern society.

Rather, terrorist assailment is tactically more of an acknowledging catastrophic gesture, a recognition of a more potent and destructive weapon: that of the tumultuous democratic will, a ”volonté generale of the democratic populace that is unpredictable, irrational, and easily manipulated by the vast propaganda campaigns of its recognized political parties. That is to say, the volonté generale is presumed to be always irrational, unpredictable, malleable.

That  presumption is often written off in dramatic or theological terms as ”human nature” (as if describing a riddle of the ancient Greek theater) Yet it is a doctrine integral to the political practice of liberals as well as of terrorists, advocated by the advisors and image-makers of Kennedy and Obama, as well as the consultants of right wing religious militias and commercial advertising agencies.* (The current status of political and social sciences as ”sciences”is arguably also inherent to such determinism, the doctrine of political wills and movements of peoples as being necessarily blind, fearful, always irrational forces to be manipulated by technical engineering, where political science blends with the public relations theory used in advertising.)

The terrorist group is not so much anti-democracy, as it is a foreign party (representing foreign attitudes and interests) or an unrecognized local party. Despite its foreigness, its illegality or its apparent incongruity with liberal democracy, it nonetheless strives to participate in the local scenery of political campaigns. The party making use of terrorist stratagem introduces itself along a short cut, the most spectacular entrance it can possibly secure for itself, by engineering a sudden act of destruction and shock, barbarity. By definition it is a master of media sensation. Such media sensation is apparent in Da’esh and the Salafi onslaughts in the mediterranean. Isis killed Turkish students of a youth wing of a socialist party in one onslaught just after the new post-Erdogan government was announced; similar bombings have been carried out of late in Tunisia. These aim to subvert democracies yet also have Salafi representatives within politics in Europe and in Arab and Middle Eastern countries.

The use of media can also be seen Marine Lepen’s Front National, which uses the scandal-monger as well as directly enlisting comedians, similarly in the Dutch Freedom Party and other right wing anti-liberal movements which sport direct participation in democracy despite often announcing their disbelief in democracy and their support for nativist youth gangs.

Political and electoral organizations, no less during ”times of peace” make use of fear, adrenaline, impulsivity, and the irrational as part of the democratic process. And trauma is perhaps the centre-piece of nearly every extreme national movement that can either try to establish certain forms of (ethnocentric or national) democracy where it previously did not exist, or which eliminates democracy after entering power democratically, only to subvert the constitutional order with majoritarianism as soon as it accomplishes this.

Terrorism is a useful tactic when democracy is reduced to the vision of official intellectuals who have seen democratic functioning as a machine-like process of the powerful elected parties requesting the public’s seal of approval after decisions have been made in deliberations that entirely excluded the general public. The seal of approval for new missiles, new wars of intervention, retribution, the elimination of rights and freedoms, and foreign conquest are easily found in the after-dusk of the terrorist party’s theatrical manifestation.

In the time of ”participation” and ”participatory” politics, occurring in 21st century, Western countries have in many cases already seen the erosion of democratic constitutional order (the liberal order, whose features included such amenities as the Independent Judiciary that cannot be coerced by state or police organs such as, say, the Department of Immigrations. Such dependence of the judiciary signals the total emptiness and violation of democratic order, at least according to the romantic theories about democracy existing before the neoliberal and austerity wilderness of recent years) 

In the discourses of participation and consensus politics, exuding from the economic far right and the cultural political left, there is a pretension of having abolished the elitist vision of democracy, that of merely requesting the public’s seal of approval once polices have been pre-determined in the enclosures and corridors of the palace and of the central offices. Participation pretends to directly involve constituencies, in more brutal snags with direct confrontation and sensation, the massive expressions of hatred are justified as ”emancipation” or ”democratic” 

In fact ‘participation’ usually means that the democratic participation, at its barest and most unthinking, is vastly multiplied so that the public is invited to constantly voice opinions and provide a constant flurry of the seals-of- approval. Perhaps this can be most easily exemplified in the mundane use of the ”like” function for political statements on social media, with facebook and twitter as a political ”ratings” census and a public speaking apparatus constantly monitoring the degrees democratic volition. A continuous stream of seals of approval are gathered for politics that are either incomprehensible or are authoritarian while packaged and sold as populist. Such call to ”participation” is actually a form of increased pacification of the public, as once achieved by television advertising when the ratings system was still a privately maintained experiment, less accurate and not yet interactive and public.

Similarly, terrorism and the periodic terrorist attack fulfill a role that can no longer be fulfilled by television (the leftist film-maker Pier Paolo Pasolini noted how the Italian people’s capacity for cultural and political engagement was far more deeply corroded by television than by the years of Mussolini.) In a time that is too tumultuous for Tv, and when use of television for pacifying an audience has been subsumed by social networks and apps, sporadic high-intensity terrorism or constant ”low-fidelity” terrorism enter into play as ‘democracy management’. Terrorism, if worthy of its name, of course instills fear, leading people to consume in order to calm themselves, or to withdraw bank savings and to sell properties before their worth plummets on the market, and (as is well-documented elsewhere) leads to the popular welcoming of securitization policies. Perhaps the revolution will not be televised, but the counterrevolution by all means is televised in order to be effective (see for example how the Chilean and Argentinean coups d’etat of the 1970s, or the much more recent and arguably mimetic Egyptian military coup of 2013 used the entertainment spectacle, slick productions and television. The video mega-productions of Da’esh or I.S. also logically come to mind under the slogan ”the counter-revolution televised”)  

The democratic society after the terrorist act, has a symptom of a ”hyper-republicanism” and bureaucratization, in that a characteristic of republican society—the census, which in the United States since the 1950s is accompanied by the television ratings system, inherent to political life or its paralysis—is constantly being taken, with the semi-conscious participation of the public that registers its habits, comings and goings and existence throughout the day in its usage of the internet and phones and in the physical movement through endlessly surveilled areas. Emotions of hatred or disaffection are taken and expressed in matter-of-fact, statistical tongues, not unlike the “Stimmungs-berichte” or ”Mood-measurement” broadcasts of the Nazi Third Reich.

 ”Level-of-satisfactions” or ”quality of life” surveys become inescapable, and one participates in surveys against any free choice or will. The survey, though seemingly placid and legal, is inherent to surveillance, by more than a mere etymological word-play. Such new attitudes and realities, having to do with hysteria and estrangement—the survey, the constant petition for the seal of approval in progressive packaging—is what arises as companion and consequence of the after-dusk of a terrorist group’s manifestation by violence.

Discussions on terrorism and on Islamic extremism usually forego Hindu terrorism or narco-terror ism, or for that matter, state terrorism and the imperial armies that target civilian populations are not typically included though they have a similar effect on the political social fabric of the attacked society. More importantly they forego economy, focussing instead on a political structure or on the morbid logistics of militarization, while ignoring economic aspects. Yet the terrorist group’s manifestation of will is a response to economic liberalism in the stage of abstract speculations capitalism: in the system of speculations capital, there is enormous importance placed by economists on the emotion fear as driving impulse, as well heavy investment in apparatuses put in place by the investors, the government and capitalists so as to keep fear at a constant or predictable level, while inhibiting excessive, irrational panic and scandal. This is because a certain level of fear maintains the habits of civilians putting their savings in the banks and not withdrawing them at once in a drastic motion. Panic or the hysteria caused by a false rumor can lead to mass behavior among particularly the middle class of removing savings. This concern of speculations capitalism for the intimidated middle class is because the middle class are, in ”human numbers”, more populous and bigger than the investors, and the professional business investors are more cool-headed and rational, cold-blooded than the amateur investors, therefore less likely to act in panicking droves that instigate major economic break-downs in the speculations society.

Panic is given a great economic significance, securing crises that allow the highest levels of business as well as the security regimes of governments to expand effortlessly.

It is inevitable that terrorism finds its place and attraction to a society where the speculations economy is completely determined by adrenaline and panic among the middle classes and aspiring petit-bourgeoisie.

*If the democratic will seems to be lending towards more rational decision making in its politics, then the society can quickly come under assault. Examples of these are: the Tunisian consolidation of democracy, which saw direct political assassinations of leftist party leaders and attacks on the Bardo Museum in 2013-14.

To consider the argument of the pro-Palestinian left of Israel’s state terror, it is exampled in the direct attack by the Israeli state against the occupied territories  in response to a democratic election in which the Hamas party resulted as the winner once the votes were counted in Ramallah in 2006. This reignited in the more recent airstrikes and ground invasion of Gaza, just before the previously-at-war Hamas party and the Fatah were beginning to consolidate a Unity Government.

Latin American history abounds with examples of democratic elections meeting with direct state terror: the election of Salvador Allende in Chile or of Jacobo Arbenz in Guatemala led to immediate hostilities and coup d’etat towards consolidating regimes of state terror. In recent times, economics and debt warfare have replaced some of the military measures taken by European countries: then there is the decisive, direct strangulation of Greece by the Euro-group of Germany and the Netherlands in collective punishment towards Greeks for having elected Syriza.

Link to academia.edu:  Notes on the Seemingly anti-democratic apparatus called terrorism

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thoughtscript The party will continue ad nauseam, but not ad perpetuum (for nothing is)


Fame is only interesting as a weapon If and Because

1) it cuts through the dress-straps of women and their beguiling pretenses, and their fictions, the little thread at which they hover, throw and withdraw the bed-bait of sex, the burning-ether dice on which the gamblers’  eyes attach by the magnetic pin in the iris that only a man transports, doubly devout in his irises, both named after a beguiling or revealing female Egyptian.
2/ It is a more effective and satisfying revenge towards defendants /enemies who figure highly among the respected and the respectable. The weapon of revenge, fame, is a more respectable revenge against the respectable (of any, either sex or of any of of three thousand proud hermaphroditisms) than pushing them down a staircase, for example, could e’er prove to be.
(It would prove to be an error, as would later be lighted, legally, and an error not be burned away like ether and a match eat the evidence.
Even if by closing one’s dog-eyes to the consecutive decades in prison made the executive effect blank, none of the threat of prison and its suppositories administered in the lavatory, still it is not the top vendetta.)
3) It is Power, one of the only kinds of power a thinking person can have while still being poor and a poor wretch.
The other sort of such Power, (the letters of the word drip in any alephbetic system-script) that one can have while being very poor, is born from the barrel of a gun–but that sort of power can and will end the poverty of the very poor robber, either by success or death, guaranteed.
Power IS economy, even if Fama comes with small checks smelling of biscuits in the fanta-smelling mouths of rich men and rich women, who held a dripping wet biscuit in their mouths as they worked the pen to sign a miserable cheque.
Power can also be best identified, by unto where it leads. Usually this should not be the morgue or its precincts, rather,
Power leads unto
A) The courtrooms.
B) The bedrooms.
(these two are opposites. The courtrooms are always wet and the bedrooms dry themselves like deserts in the inter-morning and inter-valvula. The courtrooms are diabolical power invoking heaven. The bedroom if ecstatic is infernal but mediocre men will invoke heaven vocally)
C) the envy of the journalist, who is more romantic than the writer or poet. The journalist, if any good, envies the writer because he knows he is inferior.
The journalist must envy the writer like a street dog envies a wolf or a large fox who enjoys much sexual success. The wolf does not need to be romantic, what is left to romanticize? The street dog can romanticize the prairie dog, the comedian-hysteric hyena, the jackal who got the keys in his mouth to the other world and the only, first and last courthouse and paradise. Paradise, which is a house consisting only of infinite fragrant bedrooms, all with open doors and windows to a mountain garden-yard, where the jackals sit, look at the curtains with their mouths open, their tongues have the shape of long old keys to ancient pogrom-demolished homes.
If that is not the case, or if it be the opposite–as is the case in our times–it means the devil and the dogs have won.
The journalist surveils like a hungering ferret who stole a gondola and is chased by the police. The journalist races hungering, dog-tongue in the breeze, lunges after the romance he believes in, wants, lacks. No matter how scrupulously dressed, despite his accolades and his cold logical cologne spritzed unto ammonia, the most vulgar of artist-writers (if they have talent, and even if they don’t have the talent but only a persona) (persona, a Roman hat-trick, stolen and copycatted from the Persians, formerly a Persian turban-trick) must make the journalist goad with the envious precious evil, evil from the raccoon tail folded up in their journalist pants

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SHE DOESNT TRUST MEN ANYMORE (poem in Scarriet)


Always very true and good satire from the Scarriet blog.

Scarriet

She doesn’t trust men anymore.

One she loved, a long time ago now,

Left her, pregnant, crying on the floor.

You may read about that, in her murky workshop poetry with elaborate metaphor,

But she doesn’t like to talk about that anymore.

She tried a final time with one who couldn’t make decisions

And hated herself for finding him a bore,

Her caustic moments towards him imitating the very guy’s demeanor who left her crying on the floor.

So now, thoroughly self-loathing, you can probably guess what she’s like.

Happy. Pretty. Published. Lots of friends. Don’t feel bad, really, that she told you to take a hike.

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from a series of poems for Greek revolution


Soldier for the daughter Aphrodite

(prayer against Hypnos)

I have heard the critiques of the envious and stupid of Hypnos against her, Aphrodite,
the ciphered clerks spoke against the cipherless,
who swallowed some beer, constituent of pride,
the old clerics now have no orison, nothing to say,
they bite their beards. *Kyrie eleison, kyrie eleison, kyrie ele-eiso-on*
In megalophantasies
I am an anarchist general who will put down the rebellions, the slitherers
kill the rebels who are against her,
Aphrodite, fill my rifle
provide
saddle an elephant
with missiles, poems engraved like on a hungry soul-rock–
I hope she is not another demagogue,
like Ishtar, or Hera,
or Orcan, Modernity, or all the others
of megalophantasies, fed on shadows and Greek fire on bride
The towering clerks on a pillage are drunk of the mercury stolen from the wind-broken compasses of the island Hypnos, they sucked it out
like grease from a quail bone on Christmas Day.
I am weary of thinking critically,
am filled with hatred and courage and want to fight
Murder the envious who sentenced Medusa to rock
I prefer stupidity before caution
Aphrodite may your light
not divide from the glory of your Cycladic body–
I have been a butcher,
So you will walk upon the feathers of thieves
and not on the dirt road
during the day of the devolution,
the last cash-withdrawal sought in the mount Pallas Athena.
I will seek to proof the ceilings against their
mercurial compassion,
with the tar sediment I scraped out from wings
to un-shroud you from filth, cigarette pocks
and throat-hocks of spit they cast upon you
before they hurtled you over the miracle bridge,
near Larissa Station,
like you were some cardboard to be recycled into Peace and Justice.

–((Arturo Desimone 2012, Athens)

*(the poem was published in an alternative revision among poems in the 2015 winter issue of Knot magazine, http://www.knotlitmagazine.com/#!arturo-desimone/cop9 )

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