Monthly Archives: April 2016

That! Literary Review issue #1 release, short story “Talking money, Judaism Christianity Paganism women and Life with Uncle Chaim”


My fiction short story relating to travels in Poland was published in the first issue of That ! Literary Review (released Spring 2016.) The journal is edited by the excellent Blake Gerard & co.

http://thatliteraryreview.com/PDFs/THAT1.pdf

See page 12 for Uncle Chaim,( in the Pdf available on the website or buy the magazine, the latter is preferred by all.)

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Erich Fromm: On Learning the Art of Loving


Vox Populi

The first step to take is to become aware that love is an art, just as living is an art; if we want to learn how to love we must proceed in the same way we have to proceed if we want to learn any other art, say music, painting, carpentry, or the art of medicine or engineering. What are the necessary steps in learning any art? The process of learning an art can be divided conveniently into two parts: one, the mastery of the theory; the other, the mastery of the practice. If I want to learn the art of medicine, I must first know the facts about the human body, and about various diseases. When I have all this theoretical knowledge, I am by no means competent in the art of medicine. I shall become a master in this art only after a great deal of practice, until…

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“The War on Memory Begins in Argentina”: Publication in Open Democracy.net


IN ENGLISH: https://www.opendemocracy.net/democraciaabierta/arturo-desimone/war-on-memory-begins-in-argentina

 

EN CASTELLANO: https://www.opendemocracy.net/democraciaabierta/arturo-desimone/guerra-contra-la-memoria-en-argentina

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Vénus Noire: El regreso a un cine donde todas las artes convergen.


¡Libertad y Vida! Zoé Valdés Publicación Digital

VÉNUS NOIRE: EL REGRESO A UN CINE DONDE TODAS LAS ARTES CONVERGEN.

El miércoles asistí al estreno de una de las primeras tandas del estreno de Vénus Noire, un filme del director Adellatif Kechiche, con la actriz cubana Yahima Torres quien hace gala de una actuación magistral. La película dura casi tres horas, las que apenas sentimos, embebidos en la historia. Una historia que fue real, y que si bien ha sido recreada por el autor, no cabe la menor duda, viendo los créditos finales, que Saartjie Baartman atravesó por los sinsabores que nos cuenta el realizador, quien además fuera actor en una obra de Eduardo Manet, entre otras.

Saartjie Baartman nació en Cabo Verde, allí tuvo un hijo con un marino europeo, el niño murió, y ella empezó a trabajar como nodriza para una familia de ingleses. El dueño de la casa se da cuenta de las dotes artísticas…

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